Empathic Sound in Film: The Deaf Soundscape of Sound of Metal

Abstract
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To cite this article: King, G. (2026). ‘Empathic Sound in Film: The Deaf Soundscape of Sound of Metal‘, Senses of Cinema, issue 117, https://www.sensesofcinema.com/2026/feature-articles/empathic-sound-in-film-the-deaf-soundscape-of-sound-of-metal/.

An expanded version of this article was originally published in French in the peer-reviewed journal Images Secondes.

Film can control not only what we hear, but how we hear it. Through a sound design that uses muffling, distortion, oscillations in volume, tinnitus-like overlays and abrupt cuts to silence, countless films and series attempt to convey an experience of deafness, for the benefit of a presumed hearing audience. This article proposes the term “empathic sound” to describe this immersive and audiocentric representation of hearing loss, focusing on the 2019 film Sound of Metal.

Profile close up of a young man gazing beyond the frame, from Sound of Metal